Toutes peintures ā l'huile d'Gerbrand van den Eeckhout
ID Image Painting(From A to Z)    Details 
24686  
Gerbrand van den Eeckhout, Christ teaching in the Synagogue at Nazareth (mk33)
  		 Christ teaching in the Synagogue at Nazareth (mk33)   canvas 61x79cm Dublin,National Gallery of Ireland
1099  
Gerbrand van den Eeckhout, Party on a Terrace
  		 Party on a Terrace   1652 Worcester Art Museum, Worcester, Mass
77524  
Gerbrand van den Eeckhout, Portrait of an officer of the Dutch East India Company
  		 Portrait of an officer of the Dutch East India Company   1669 Oil on panel, 111 cm x 90 cm cjr
80819  
Gerbrand van den Eeckhout, Portrait of an officer of the Dutch East India Company
  		 Portrait of an officer of the Dutch East India Company   1669 Oil on panel, 111 cm x 90 cm cyf
84517  
Gerbrand van den Eeckhout, Presentation in the Temple
  		 Presentation in the Temple   Date 1671(1671) Medium Oil on wood Dimensions Height: 59 cm (23.2 in). Width: 48.5 cm (19.1 in). cjr
88368  
Gerbrand van den Eeckhout, Presentation in the Temple
  		 Presentation in the Temple   1671(1671) Medium Oil on wood cyf
24685  
Gerbrand van den Eeckhout, The Tribute Money (mk33)
  		 The Tribute Money (mk33)   canvas 63x84cm 1655 Bywell,.Northumberland The Viscount Allendale's Trustees
Gerbrand van den Eeckhout
1621-1674 Dutch Gerbrand van den Eeckhout Location Dutch painter, draughtsman and etcher. He was the son of the goldsmith Jan Pietersz. van den Eeckhout and a great friend as well as a pupil of Rembrandt, according to Houbraken, who commented that van den Eeckhout painted in the style of his master throughout his career. This is certainly true of van den Eeckhout (biblical) history paintings, but less so of either his portraits, which gradually displayed more Flemish elegance, or his genre pieces (from 1650), in which he followed various trends; he adapted his style to suit his subject with sensitive versatility. He was also a gifted colourist and an artist of great imagination, superior in both these respects to such better-known Rembrandt pupils as Ferdinand Bol and Nicolaes Maes. Moreover, he was extremely productive, and there is at least one dated painting for virtually every year between 1641 and 1674. In addition, he created a large body of drawings comprising histories, figures, landscapes and genre scenes executed in various media, including watercolour. He also made several etchings, mostly studies of heads, such as the Self-portrait (1646; B. 66). He died a bachelor, aged 53.



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